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DIE ANGEL Ilpo Väisänen (Pan sonic)+Schneider TM IN APRILE IN ITALIA

DIE ANGEL Ilpo Väisänen (Pan sonic)+Schneider TM IN APRILE IN ITALIA
Il produttore finlandese Ilpo Väisänen, noto anche per la sua lunga militanza nei Pan Sonic insieme allo scomparso Mika Vainio, ha annunciato la pubblicazione di un disco dedicato al suo ex collega in partenariato con Dirk Dresselhaus, conosciuto ai più come Schneider TM. I due hanno una collaborazione fissa dai tempi di Angel (attualmente die Angel), progetto partito all’inizio del millennio e che periodicamente viene rispolverato. Nella fattispecie il nuovo lavoro “Entroprien I”, trattasi dell’ottavo partorito dalla partnership finnico-teutonica, che nelle sette composizioni inserite perlustrano ampi ambienti elettroacustici in cui spazia liberamente la chitarra di Dresselhaus e con la partecipazione del grande Oren Ambarchi in almeno due brani della tracklist tra cui ‘Terminen Kevat’, singolo scelto come anteprima del disco. NEW ALBUM : Entropien 1 (out Oct. 6th 2017 on Cosmo Rhythmatic) In physics, entropy is a quantity generally described as the measure of disorder within any kind of thermodynamic system, including the universe. It counts the microscopic states that system can assume when open, interacting with others or getting altered by external conditions. Thus, entropy makes for the perfect description of the way Ilpo Väisänen (Pan sonic, I- LP-O IN DUB) and Dirk Dresselhaus (Schneider TM, A S S, Locust Fudge) have approached music creation since the establishment of their collaborative project Angel (now die Angel) in 1999. Allowing energy to flow freely through machines, bodies and different acoustic conditions, they’ve generated a powerful archive of mutating sonic states. A kind of creative attitude that favors exploring the physical complexity of unstructured electronics. That’s where the title for their first release on Cosmo Rhythmatic comes from, “Entropien” being the Finnish word and the German plural for entropy. Getting back to the stripped down set of their beginnings (modular synths, effects and processed guitar), they’ve come out with one of their most, intense, rawest and noisiest albums to date, showcasing an impressing scale of dynamics while attacking the senses with belligerent tones. Oren Ambarchi also shows up on two tracks, intertwining his drums, field recordings and guitar within the duo’s discordant layers.

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